Notes about researching and teaching philosophy…
A Portrait of Kermit Oliver
A thoughtful biographical essay on the artist designer for Hermès, a recluse who works the nightshift as a postman. Tremendous talent tinged with terrible tragedy.
How to do things with books
'And how is the value of books changing in an increasingly digital culture in which, depending on how you look at it, print is becoming either less or more valuable? Price suggests that we need to better understand the print “before” against which we position the digital “after”: too often, she argues, “we use idealized printed texts as a stick with which to beat real digital ones” in ways that “flatten the range of uses to which the book was put before digital media.” But as this book shows, the meanings of the book in Victorian Britain were just as diverse as the multiple uses to which books were put. By complicating the two-way distinction of text and book, Price above all suggests that the contemporary binary of print vs. digital is a false dichotomy, one which pushes us towards asking the wrong questions and creating all-too-simple answers. As Price ventures, the most interesting question to ask may be not “what the Victorians felt about the book but why they felt so much.” The same might be said of our feelings towards books – both print and digital – today. Books matter in every sense of the word, and better understanding “how to do things with books” can both enrich our study of the Victorian period and enliven our cultural debates today.'
- "Books Before and After" by Charlotte Mathieson, http://www.openlettersmonthly.com/?p=18726
Sloterdijk's Bubbles
"Sloterdijk’s contention is that, as sociologist Bruno Latour paraphrases it, “to define humans is to define the envelopes, the life support systems, the Umwelt that makes it possible for them to breathe.” That may seem a trivial point to make: who doesn’t think context is all? But, as Sloterdijk is aware, thinking outside of the liberal-individualist paradigm at an ontological level is not without its dangers. Sloterdijk conceives of the Spheres trilogy as companion and continuation of Martin Heidegger’s Being and Time, and a corrective to what he sees as its faults. Heidegger’s wrong turn is precisely his insistence on essential loneliness, and his abandonment of “existential spaciousness.” Heidegger’s mistake, according to Sloterdijk, is to try to answer the question of ‘who’ before fully exploring the question of ‘where’. Sloterdijk contends that, by neglecting the spatial dimension of ‘being in the world’ in favor of questions of authenticity, Heidegger gave himself a blind spot that not only left his own philosophically project unbalanced, but himself vulnerable to the political blindness of radical nationalism. Bubbles attempts to remedy that neglect: to think through the implications of existence as ‘being-with’ — that is, as part of a containing sphere." - Joshua Mostafa on Bubbles," Los Angeles Review of Books, http://bit.ly/NV4CjJ
Apocalypse Not
"Religious zealots hardly have a monopoly on apocalyptic thinking. Consider some of the environmental cataclysms that so many experts promised were inevitable... Predictions of global famine and the end of oil in the 1970s proved just as wrong as end-of-the-world forecasts from millennialist priests. Yet there is no sign that experts are becoming more cautious about apocalyptic promises. If anything, the rhetoric has ramped up in recent years. Echoing the Mayan calendar folk, the Bulletin of the Atomic Scientists moved its Doomsday Clock one minute closer to midnight at the start of 2012, commenting: “The global community may be near a point of no return in efforts to prevent catastrophe from changes in Earth’s atmosphere.”
- "Apocalypse Not: Here’s Why You Shouldn’t Worry About End Times," Wired Magazine, http://bit.ly/OrElL0
For further reading on the theology of tipping points see also, Stefan Skrimshire's work Future Ethics: Climate Change and Apocalyptic Imagination.