On Solitude and Writing

But also [Ingmar Bergman] was an extremely disciplined artist. He had no discipline in his personal life—I do—but he had extreme discipline when it came to his art and the way he ran his life around it. For the last 25 years of his life, he was married to the same woman, and the chaos of his life had settled. He lived on a small island called Faro, north of Gotland, where he would plan his films, write the scripts, make the screenboards, and everything. He limited his activities: Besides working and thinking, he might go for a stroll. He would only drink buttered skim milk, and have one cookie in the afternoon—his ailing stomach couldn’t take more than that. In the late afternoon or evening, he would have visitors over to go and look at a movie in his cinema. And that was his routine, every day. He didn’t try to do more.

"What Great Artists Need: Solitude," The Atlantic - http://bit.ly/1b3gDDQ

timothywstanley@me.com

I am a Senior Lecturer in the School of Humanities, Creative Industries and Social Sciences at the University of Newcastle, Australia, where I teach and research topics in philosophy of religion and the history of ideas.

www.timothywstanley.com
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A Lesson From Auschwitz

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Surveillance and the Eye of God