Graham Priest, "It Is and It Isn't," Aeon - http://bit.ly/2dmhxkB. The essay explores Duchamp's Fountain which was part of his pioneering work in Dadaism. This latter movement influenced a range of thinkers, including Karl Barth. It is also interesting that the notion of truth being discussed here is related to the Greek notion of aletheia, and it strikes me akin to Heidegger's notion of unconcealedness.
Werner Herzog, Lo and Behold: Reveries of the Connected World - http://www.loandbeholdfilm.com. This is an interesting commentary on digital life today by a masterful documentary film maker. This chapter in the film focuses on the need to rethink education, shifting it to analytical and critical thinking skills.
"The Tyranny of Simple Explanations" - http://theatln.tc/2bxsMEi. It is interesting that the closest thing to Occam's razor found in Occam's actual works is cited in this article as follows: “It is futile to do with more what can be done with fewer" (Summa Logicae, 1323).
Timothy Stanley, "Bonhoeffer's Anti-Judaism," Political Theology - http://www.tandfonline.com/doi/full/10.1080/10773525.2016.1187000. This is the abstract from an article I wrote for Political Theology that is now available in volume 17, issue 3. The premise is focused on Bonhoeffer, but is equally applicable to other Christian thinkers of the time, such as Barth.
Stephanie Wright, "Review of Religion after Secularisation in Australia," New York, NY: Palgrave Macmillan, September 2015. 256 pages. - http://readingreligion.org/books/religion-after-secularization-australia. This is a new review site hosted by the American Academy of Religion. They very perceptively reviewed this recent edited volume.
Damon Horowitz, "From Technologist to Philosopher" - http://chronicle.com/article/From-Technologist-to/128231/. See also his Ted talk "Why We Need a Moral Operating System," and Tristan Harris's more recent talk, "How Better Tech Could Protect Us from Distraction." Stanford's Biblio Tech and more longstanding Humanities Lab are two academic programs that seem to be doing this well.
Throughout the film the Coen's deftly juxtapose Hollywood's economic ideologies with the religious concern for idolatry. This scene provides a brief joke on religious aesthetics and metaphysics.